This partnership aims to invest into the next generation of Australian designers by providing them with the opportunity to design new products for the contemporary Australian home.

The Sunshine Coast is the place for woodworkers to be as the scene is set for this popular annual Woodcraft Show.

In January 2026, a residency program with Aled Lewis will focus on developing product design ideas. This is a great opportunity to work alongside and learn from a highly respected practitioner and educator.  

Air Strips is Brisbane artist Sherrie Knipe's latest exhibition entitled Air Strips is a diverse body of work with a simple premise: "things that can be reduced to a line."

A panel discussion on 'the science of timber' will soon be held in conjunction with National Science Week at Bayside Gallery alongside an exhibition of Shulim Krimper's work.

The wraps will soon come off shortlisted entries for the triennial $40,000 Rigg Design Prize.

The judges for Maker of the Year 2025 will draw on decades of personal experience and expertise. Meet them now.

Will Acland, judge for Maker of the Year awards 2025 tells us what he looks for in award-winning piece, and offers a few tips to entrants.

US-made Inlay tools designed by Steve Latta are now available locally in Australia.

For this restaurant fit-out, traditional techniques including hand-brushing were used to give new timber the look and feel of aged hardwood.

Works by four makers highlight the relationship between the artist, their craft-based skills, and the ways they express ideas through material processes.

If you like knowing the ins and outs of complex mechanical furniture, here’s a recently posted three minute insight into US master maker Craig Thibodeau’s latest masterpiece.

Applications are now open for two exciting opportunities for emerging makers.

An expanded field of entries resulted in a record number of finalists – 82 across six categories. Here's some of the winning entries.

Curated by Kirsty Grant, this exhibition presents a range of Krimper’s furniture from the 1940s to the 60s. Krimper made 'furniture for our own time' that is redolent of the mid-century decades in which it was produced.

At the 2025 Venice Biennale, ‘Ancient Future’ juxtaposed traditional artisans with programmed robot milling arms. Kevin Murray asks: Will we overlook the value of handmade in our pursuit of efficiency and scale?