"Is there a way to sustain a serious craft practice in Australia without living at the mercy of an algorithm or giving your margin to an institution?" Here's part 1 of Jake Lunniss' journey of discovery.

Encouraged to look beyond function and design work that carries personal meaning felt like the ‘artistic permission’ Joey Marsden needed. Designing something 'real' led him back to his service.

Australian makers need to find authentic ways to express their connection to place, says designer maker Damien Wright.

Schooled in traditional skills, Korean furniture designer maker So Joong-Han distills his designs through a contemporary lens.

The sudden death of Will Matthysen leaves an unfillable void in the woodworking world. As a maker, designer, mentor and active community member Will’s legacy will however live on.

Last year 170 people came together to build a large sculpture titled Morphology that has been shown publicly in Newcastle and Canberra.

Using a soon-to-expand urban timber resource, and the inspiration of a select group of makers, created a collection of work that was all about local. Andy Ward explains...

Schulim Krimper was a trailblazer in Australia’s modernist designer maker tradition. In 2025, a comprehensive exhibition of his work highlighted his significance. Story by Linda Nathan.

‘Forgetting’ stereotypical forms and taking inspiration from the local environment is a big part of the design and making process used by Canadian woodworker, Réne LeBel.

Reflections from mentors and colleagues on the work and life of William Bayliss.

A citizen of the world, Rex Kalehoff is a multi-talented woodworker and sculptor. He tells about his journey and shows the making of his Fox Valet bench.

Inspired by the writings of Richard Flanagan, Kevin Perkins’ latest work is a love song to Tasmania and a testament to a long-standing friendship.

Time spent perfecting techniques and the influence of other makers have shaped John Shaw’s approach to woodworking.

Yutaka Iwata explains why he relocated to the source to launch a career in Spain as a luthier, and he also tells why Spain is so conducive to making fine instruments.

An interview with South Gippsland based woodcarver, Olivia O’Connor discusses her background and influences.

As a judge for Maker of the Year, presented by Carbatec, Pam Erasmus will draw on over 30 years making and mentoring others. Here are a few of her tips for entrants.