The Ultimate Collector's Cabinet
Words: Linda Nathan
Photos: Terry Muller
The cabinet and its lustrous hand tool contents known as Collaboration One was one of those things that toolmakers Terry Gordon and Colen Clenton had wanted to do for some time. ‘We’re really taking it to the top of the tree’, said Phoebe Everill, maker of the cabinet and the third collaborator. ‘We’re saying “this is what we’re really proud of, it’s the complete package”’.
Around 12 months prior to its unveiling at Sturt Gallery in Mittagong, the three makers decided to make it happen. ‘I’m not sure if this kind of collaboration has ever been done before in Australia’, said Phoebe, ‘but both Terry and Colen wanted to make complete high-end sets of their tools from premium timber, and house them in a specially made purpose-built cabinet.
For Terry the collection was a commemoration of his 20 years making hand tools and also the success of the independent but close working relationship that he and Colen Clenton have enjoyed. The first of the newest addition to the HNT Gordon range is also included. The moving fillister is his 50th line of planes and was developed in conjunction with son Nelson whose work formed part of his final competency assessment for his fitter/machinist apprenticeship.
The wood used for the tools made by Terry and Colen is not Macassar ebony (Diospyros celebica), but another from the family Ebenaceae. Consecutive boards of black ebony or Diospyros ferrea, all from the same tree, were sourced from Theo Catullis of Agora Trading in Queensland. Any variance in figure or striping on the tools is due to whether the sections used are quartersawn or backsawn.
Making the two sets of tools from the same matched boards highlights the collectability of these sets. ‘All the the tools have the grain running end-to-end through them’, Colen said, ‘and the front of the gauges are bookmatched’. Colen’s set also includes a 2" 45° marker, and a shorter scratch awl; both new additions to his range. In a nod to another maker who Terry and Colen have worked with, a mallet by Micheal O’Connor is included.
‘The cabinet design is inspired by Krenov’s work and is also a much more elaborate development of Phoebe’s own tool cabinet which has become a trademark of her business as a maker and woodwork teacher. ‘Making the cabinet was a huge challenge but I’m really happy with the design’, Phoebe said. ‘There was a lot of mocking up to get it to look balanced on its base.’
Above: Collaboration One combines a collectors cabinet made by Phoebe Everill with complete sets of hand tools made by Terry Gordon (HNT Gordon) and Colen Clenton. The main body of the cabinet contains the entire HNT Gordon range. From the bottom left are eight bench planes, above that the moving fillister and a spare set of knobs with ebony infills in a space that a panel raising plane will soon occupy. Up top sit nine pairs of hollows and rounds, left and right snipe bill planes and a radius plane.
The cabinet is made from Tasmanian sassafras, with blackheart sassafras veneer used on the doors. The veneer was supplied by Rob Keogh of Britton Timbers, Tasmania and chosen because its stripey tones would provide a visual foil for the ebony tools. The veneer was also selected for its unique figure and the arrow head markings that reflect it’s purpose as a tool cabinet. Other detailing on the cabinet is in wenge and ebony.
As well as visual balance, a major concern was the weight of the loaded cabinet. ‘Physically it was tricky stuff to allow for around 80kg tools and still be able to swing the doors and not have it not fall forward’, Phoebe said. This was also a collaborative process. ‘Sets of Colen and Terry’s tools have been back and forth’, laughed Phoebe. ‘We also decided to ramp all Terry’s tools back at a 7.5° angle (matching the plane bodies) to get the centre of gravity right.’
The makers, left to right: Terry Gordon, Phoebe Everill and Colen Clenton.
The top and base separate by means of a specially made ebony allen key and handle. A brass plate with the makers’ names, the year of making and title of the piece is fixed to the top of the cabinet base. The drawers contains a provenance statement in the form of a ‘book’ made by Terry from ebony veneer along with a pen also turned from ebony.
Seeing it all come together was the realisation of a dream for the makers. The makers are adamant that the cabinet and its contents will not be separated. Collaboration One is for sale and may be viewed at Bungendore Wood Works Gallery, NSW
Click on the gallery images above to see larger views and read captions.
For more information about HNT Gordon and Colen Clenton tools see hntgordon.com.au