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Stories by William Matthysen
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Will Matthysen
Queensland, Australia

Will Matthysen has been designing and making clocks (and other things too) for over 30 years. He works from his workshop in Warrandyte, 30km north-east of Melbourne. One of Will’s clocks featured on the cover of AWR#3 and his description of how to make an wooden geared clock is split into parts over three issues, AWR#52, 53 and 54. See here for Will’s stories.

SOME OF WILL'S WORK:
Q & A:

Q: Okay we know you like it, but how did you get into woodworking?
A: I had been making things in my father’s workshop for as long as I can remember, or just tinkering, and blunting his tools. I would get an idea and just run with it, and lose myself in what I was doing. In essence I am still doing that now, only difference is that I now do it for a living, and blunt my own tools.

Q: Who are your woodworking heroes/gods/gurus?
A: I’m not really big on heroes, gods or gurus; but I enjoy the company of people who display modest amounts of contentment, commitment and compassion, and not necessarily in that order.

Q: What do you mainly make?
A: Although I had made my first clocks in my teens, over the past 20 years or so I have made about 150 clocks. They are mainly sculptural timepieces made predominantly in wood, but also including brass, steel, glass and other composite materials. I design, prototype and make all the components, including the mechanical components such as the wheels and pinions, as well as the clock case or cabinet. I feel it is important to get all aspects right, both the functional as well as the aesthetic. It has to work reliably and keep good time as well as be visually and compositionally resolved. It is time consuming work (no pun intended! ha, ha), which leaves little time for much else. In another life I would like to make chairs.

Q: Your thoughts on traditional vs ‘new’ and digital?
A: In the overall scheme of things they are all means to an end. First and foremost, you have to enjoy what you are doing, and I believe the journey is as important as the destination. The technology, in whatever form, is purely a means to get you there. If it begins to control your life, or the nature of your work, to the detriment of the creative process, its time to hit the off button. At best, new or digital technology can remove the drudgery and open new creative possibilities, but nothing can remove the need for mastery of traditional techniques. Technical competence and knowledge of one’s craft is the prerequisite to self-expression.

Q: What are you pet woodworking hates?
A: Cleaning up the workshop. Fortunately I have two teenage sons who I periodically have to beg, bribe and cajole to help out.

Q: What is your desert island hand tool/ machine/ timber/ woodie book?
A: My desert island hand tool would be my whittling knife. It is the equivalent to a 6B pencil, great for sketching in 3D. My machine tool would be a milling machine with dividing head, preferably with power feed and digital readout! It is hard work trying to make a clock without one. This also assumes the desert island has 3 phase power! My timber would be gidgee, well, it is a desert timber, works beautifully, and looks and smells great. My woodie book would be In Praise of Hands by Octavio Paz. He writes with such clarity and eloquence.

Q: The best thing you’ve ever made?
A: Still waiting for that.

Q: Your best excuse for not getting something quite right?
A: I’m still learning, I’ll give it another go next time.

Q: Your most often-made mistake?
A: Underpricing my work.

Q: Your biggest woodworking disaster!!?
A: Still waiting for that too!

Q: The thing I would most like to change about wood is…
A: Nothing. I love the complexity, subtlety, and almost infinite diversity of the material. It can be challenging, often infuriating, to work with, but never boring; it doesn’t abide fools, has a mind of its own, and only reveals itself to the patient and persistent. It was a living organism, and our task is to bring it back to life again.

Q: The thing I would most like to change about woodworkers is…
A: Again, nothing. I don’t believe it is my role to change people, least of all woodworkers! If anything they are an inspiration to me, I look at the work of other woodies and say, ‘How did he/she do that? I wish I could do it!’

Q: The thing I would most like to change about my own woodworking is…
A: Adding further complexity, refinement, balance, proportion, and finish. It is a never ending process.

Q: My final word on woodwork is…
A: It is a way of life, not a job.

Email Will at: matthysen@bigpond.com
Visit his website: www.willmatthysen.com

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