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Stories by Richard Vaughan
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Richard Vaughan
Queensland, Australia

Richard was nearly 30 when he happened on an exhibition by the Woodworkers Association of NSW and decided on woodwork as his career. Some years later in 1983 he set up his first workshop and has been designing and making solid wood furniture to commission, almost exclusively in what he calls ‘the glorious palette of Australian timbers’ ever since. In 2003 he relocated to Brisbane where he set up his dream ‘shed’. Teaching, writing about woodworking and appearing as a judge on ABC TV’s The New Inventors are other aspects of his woodworking life. Richard Vaughan’s first story was a two-part article on using the router which appeared in AWR#12 and 13. Other AWR stories by Richard are here.

Richard Vaughan, AWR Contributing Editor
SOME OF RICHARD'S WORK:
Tray Simple
Blackheart Sassafras over hoop pine ply.  Designed for clean lines making full use of the strength and lightness of ply. (registered design)
Constant
Coachwood.  240 mm high. It is a different challenge to work without concern for function.
The balanced urgency of being wisely alive.
Flow is constant. And so is repetition.
Treasure Boxes
Tas Blackwood, Silver Ash, memento ivory. Jewellery boxes for my 3 remarkable sisters. The making was described in AWR #37.
Silver ash dining setting
Designed for an apartment which is rectilinear with expressed construction. Although the top surface of the seat is horizontal it has been upholstered to a wedge to provide the appropriate and comfortable position for the sitter. The lumbar support works satisfactorily too.
Hall Table
River Red Gum. 1350 mm long. Designed for a small house which was renovated to really open up its modest space.
Kitchen Work Table for a Castle
Tasmanian Myrtle, Celery Top Pine.  Fitting out this kitchen from scratch for a wonderful client was a dream job. Drawers hold the knives and stainless steel liners to collect waste and compost.
Q & A:

Q: How did you get into woodworking?
A: After uni (English Lit and Psych majors) I travelled, just doing what felt good at the time. By the time I was 30 I’d arrived at woodwork and started that ever-expanding version of the journey.

Q: Who are your woodworking heroes/gods/gurus?
A: I really don’t have any. You may as well ask my most significant meals—and the abundance of vital moments so far makes either question impossible to adequately answer. Influences I remember include gum trees, Beethoven, Jung, Hesse, woman, time in Japan, Soetsu Yanagi, Lloyd Rees, the Jimmy Possum chair, as well as encounters with the sort of ugliness that jolts you back to focus.

Q: What do you mainly make?
A: Attempts.

Q: Your thoughts on traditional vs ‘new’ and digital?
A: The best tool, and material, for the job is the right one and a good result will always depend on skilful use as much as on an informed heart. Preferences for appearance or method are only preferences, but tend to be used as a mediocrity’s excuse to faction and bicker. Excellence is what matters.

Q: What are your pet woodworking hates?
A: Mean spiritedness and pretension. And not being able to see as well as I know I used to.

Q: What is your desert island hand tool/ machine/ timber/ woodie book?
A: Does my MacBook with a wireless internet connection count??

Q: The best thing you’ve ever made?
A: Love.

Q: Your best excuse for not getting something quite right?
A: Hindsight. But if you know it’s not quite right before it goes out the door there simply is no best excuse. (I have tried.)

Q: Your most often-made mistake?
A: Ignoring the time/money correlation for love of an idea.

Q: Your biggest woodworking disaster!!?
A: Losing a finger tip to the jointer.

Q: The thing I would most like to change about wood is…
A: Only the wood rejected by all woodworkers should be suitable for pulping.

Q: The thing I would most like to change about woodworkers is…
A: Not nearly enough are women. And I still feel disappointed by the lack of courtesy of those few who don’t bother to say thanks when I’ve taken the time to answer their emailed questions.

Q: The thing I would most like to change about my own woodworking is…
A: I am TOO DAMN SLOW

Q: My final word on woodwork is…
A: I’m not dead yet.

Contact Richard via email at: richardvaughan@netspace.net.au
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