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David Collins, Warragul, Victoria

Concept
There have already been five tables made in this series that are similar to this one. They are all unique with different species of timber used each time, usually as a particularly beautiful piece of material becomes available. Small design changes usually occur to for each piece of material to shine at its best. I really love the lines of the piece, from the long end overhang to the curved rail and finely tapered legs. The design lends itself to a wide selection of materials and looks good in lots of combinations. A detail photo of the very first table I made in this style has become the inspiration for my business logo, which gives this table design a very special place in my work/design history.

Materials
I have had the bundles of Tasmanian myrtle veneer leaves for about 6 to 7 years. I knew from the first time I saw them that beautiful pieces of furniture would come from them and they have not disappointed. It had a stunning burl type grain in a wide and long leaf, unfortunately it also had a defect smack in the centre of the leaf. This always makes for very careful planning and handling when using this material. Timber for legs, rails etc is solid Tasmanian myrtle. The inlays in the top and legs are from a large piece of wenge, which I’m gradually turning into stringers, inlays and other small decorative items. Very little of this material gets wasted and it always provides a beautiful contrast to other timbers.

Joinery
Various joints were used in constructing this table. The legs were made from two pieces of myrtle 800 x 150 x 38mm. By ripping them at 45° I got four triangles from each, then glued two together to make a 45mm square, then with the saw set at 45° I ripped a groove in opposing edges to take the wenge inlay which was pressed in. The legs were re-dressed square and the tapers machined on my spindle moulder on a template with a flush cutter with bearing.
I used domino joiners for all rail to leg joints. The front and side panels are grooved into the rails and legs.
The curved rails were cut from a piece of 75 x 38mm myrtle, dressed square, docked to the exact length first and then carefully bandsawed and sanded to the template.
The top was made by using a single piece of 100 x 25mm myrtle 1600mm long and running a 14 x 4mm groove along the centre and pressing in a wenge strip. It was then re-dressed down to 22mm thick and ripped in half to give me two lengths 45mm wide with a 5mm wide wenge edge. This was then mitred around the 19mm thick centre panel. Biscuits were used around the edges and in the mitres of the top. All joints and cutting was done by machine.

Glues
Two glues were used:
• For joining legs and inserting wenge strips I used PVA – Titebond Regular
• For the top and frame (rails to legs) I used Bostic Urea Formaldehyde AV203

Finishes
Lacquer used is from Sherwood Paint Industries
• Sovereign Sealer, two coats, then
• Durasilk topcoat, two coats.

Photos: Andrea Collins

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