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Jonathan Sanders
Cowan, NSW

‘I was living in Dubbo and was impressed by the few remaining large river redgums behind the shops on the alluvial terraces above the river. When Woollies was re-developed I was unhappy that the redgums in the car park had to go. Told they were destined for the dump I thought this a tragic waste and asked if I could have one, without any idea of how I would deal with the practicalities of handling it. Returning a couple of days later I found the council had insisted the trees go without delay and only two stumps were left. A swift deal, a carton of beer and ten tonnes of redgum stump and dirt were dumped on my driveway. For almost a year I was the joke of Dubbo while I tried to figure out how I would mill it.’

‘I am a botanist by training and have worked for many years in conservation, especially being professionally involved in some of the major debates about forestry and conservation of forest environments and clearing of native woodlands. At the same time I have always been consumed with wonder at the innate beauty of Australian woods and repeatedly had impressed upon me (especially by old loggers) that we don’t appreciate these timbers the way that they deserve. A major driving force in my woodworking has been to salvage Australian trees that have been felled and are being tossed away.

‘I was particularly inspired by the age of the river redgum and all the history that the tree had been witness to, the habitat values that this tree provided when alive and the wish to continue providing habitat for the yabbie, insects and other relics of nature and the drive to bring out the unappreciated beauty of Australian wood that had been destined to rot unappreciated on the rubbish dump.
The idea emerged from the slab, which looked very reminiscent of an Aboriginal dug-out canoe when first cut. When I started carving I found the areas of grain naturally flowed like streams across the western NSW landscape and my carving followed these.

‘I am a one-handed woodie, so I wouldn’t have been able to do this without the valued assistance and input of my friend, Denis Hay.’

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