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Robin N Cromer,
Mawson, ACT
Boxed around Huon
Huon pine, European walnut, MDF, red suede
leather
255mm d x 110mm h
Materials:
The Huon pine was collected from the banks
of the Picton River in Tasmania in 1981,
under a Craftsman’s license obtained
from the Forestry Commission of Tasmania
for a fee of $6! The timber was taken
back to Victoria on the ferry and has
been used for many projects over the years.
I still have some left for a few more
projects. The walnut shows good fiddleback
grain and was cut at about the same time
from a dead tree at the site of an old
farmhouse in Gippsland. Before the tree
died, the site had become a popular picnic
spot known as ‘The Walnut Tree’
for staff and their families of APM Forests,
which had purchased the farm. Some borer
holes are evident in the walnut. Both
timbers bring back special memories so
being able to combine them in this piece
is particularly pleasing.
The method of construction was mostly
done on the lathe. For a finishing touch,
an insert of Huon pine was fitted and
glued into the walnut finial. Sections
were removed to create legs in the base
with a coping saw, sanded off using a
Dremel and finished off by hand. An insert
of 3mm MDF was turned for the base and
a ‘cross’ made of Huon pine
to serve as a divider. Red suede leather
was glued on to the MDF insert and the
divider.
Glues used in construction included epoxy
resin (with manganese black powder) to
glue the walnut insert into the lid and
the Huon pine detail in the finial. PVA
was used to glue the suede to the MDF
insert and the cross divider. Spray-on
glue was used as a temporary measure to
hold the MDF on a backing board for tuning
a circle.
Finish:
All completed sections were sanded down
to 1200 grit using a power sanding disc
on a hand drill and treated with Orange
Oil to penetrate the wood. Final finish
was with solid wax (3:1 beeswax:carnauba)
held onto the turning wood and burnished
with a soft cloth.
Concept:
I was keen to make a bold statement in
a turned box with these two woods that
bring back such special memories. Relatively
large turned boxes are not often seen
in exhibitions or for sale, so it was
a challenge to try to make the concept
work. Turning the item certainly produced
vast amounts of shavings so it is somewhat
wasteful of timber. My aim was to contrast
the dark fiddleback walnut with the rich
golden colour of the Huon pine and this
has been successful.
Photos: Robin Cromer
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